Forms emerge through chance, repetition, material behaviour and sustained attention. Painting, photography and sculpture become sites where relationships are allowed to develop rather than being predetermined, each medium responding in its own way to process and circumstance. The work remains provisional: something forming, dissolving or becoming something else, never fixed but continually shifting.
Accidental Constellation 2021 Digital print 20.4 × 42 cm Fallen green olives scatter across a pavement around the discarded white lid. Chance produces a temporary constellation in which organic matter, manufactured object and urban surface briefly align.
Where Silence Takes Place 2026 Acrylic painting on paper 29 × 10 cm Pressure and separation draw fine, branching marks from layers of green paint. The narrow format suggests a landscape, growth pattern or distant terrain, formed as much through material behaviour and chance as through intention.
Breathing Surface 2026 Acrylic painting on paper 29 × 42 cm Repeated transfers of acrylic accumulate into a dense, restless surface. Forms appear to grow, cluster and dissolve across the paper, shifting between vegetation, cellular activity and imagined terrain without settling into a single scale.
Ancient Future 2014–26 3D-printed form, found flint and Margate beach pebble Dimensions variable A manufactured form, found flint and beach pebble meet in a precarious stack. Technological, geological and coastal timescales are held together, allowing an unfamiliar structure to emerge through balance, resemblance and material contact.