Surfaces conceal as much as they reveal. Through layering, obstruction, reflection and ambiguity, Veil considers the unstable space between seeing and knowing. Forms move between recognition and abstraction, allowing landscape, body, architecture and memory to remain partially unresolved.

Particle Recognition Digital image dimensions variable [year].jpg
Signal Drift Digital image dimensions variable 2021.
Understory Digital photograph of acrylic paint compressed between plastic sheets dimensions variable 2020.jpg
Screenshot+2026-08-19+at+19.19.02+%281%29.jpg
Distantly Familiar 2026.jpg
Particle Recognition 2026 Digital print from a 2020 digital image 40 × 40 cm - Layered linear patterns gather into translucent, interconnected forms. Recognition continually surfaces and recedes, suggesting branches, scaffolding, connective tissue o

Particle Recognition 2026 Digital print from a 2020 digital image 40 × 40 cm - Layered linear patterns gather into translucent, interconnected forms. Recognition continually surfaces and recedes, suggesting branches, scaffolding, connective tissue or mapped networks—allowing the act of perception itself to become the subject.

Signal Drift 2026 Digital print from a 2021 digital image 40 × 40 cm - Vertical bands of colour descend through and fragment a partially recognisable image. Digital distortion turns visual information into a field between transmission and breakdown,

Signal Drift 2026 Digital print from a 2021 digital image 40 × 40 cm - Vertical bands of colour descend through and fragment a partially recognisable image. Digital distortion turns visual information into a field between transmission and breakdown, where the original subject persists only as an unstable trace.

Understory 2026 Digital print from a 2020 acrylic painting 40 × 40 cm - Fluorescent colour glows beneath descending veils of compressed paint. Forms suggest roots, organisms or a submerged interior, but no interpretation holds: the surface offers a

Understory 2026 Digital print from a 2020 acrylic painting 40 × 40 cm - Fluorescent colour glows beneath descending veils of compressed paint. Forms suggest roots, organisms or a submerged interior, but no interpretation holds: the surface offers a glimpse into a space that remains materially and visually obscured.

Residual Current 2026 Digital print 29.7 × 39.6 cm Digitised typewriter impressions made more than twenty years ago are layered over fragments of a recent decalcomania painting. Repeated marks form a shifting screen, allowing the painted surface t

Residual Current 2026 Digital print 29.7 × 39.6 cm Digitised typewriter impressions made more than twenty years ago are layered over fragments of a recent decalcomania painting. Repeated marks form a shifting screen, allowing the painted surface to appear and recede. The restrained grey palette brings the two periods of making into close contact. Earlier impressions persist within a new image, their meaning altered by what lies beneath them. The surface becomes a veil: a place where memory, pattern and partial visibility meet.

Distantly Familiar Acrylic on paper, 2026 29 × 10 cm - Dense layers of colour and repeated marks partially conceal an unstable terrain. Organic and architectural forms appear momentarily before dissolving back into the painted surface.

Distantly Familiar Acrylic on paper, 2026 29 × 10 cm - Dense layers of colour and repeated marks partially conceal an unstable terrain. Organic and architectural forms appear momentarily before dissolving back into the painted surface.

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