Surfaces conceal as much as they reveal. Through layering, obstruction, reflection and ambiguity, Veil considers the unstable space between seeing and knowing. Forms move between recognition and abstraction, allowing landscape, body, architecture and memory to remain partially unresolved.

Particle Recognition Digital image dimensions variable [year].jpg
Understory Digital photograph of acrylic paint compressed between plastic sheets dimensions variable 2020.jpg
Signal Drift Digital image dimensions variable 2021.
After Use Digital image 2026
Particle Recognition 2026 Digital print from a 2020 digital image 40 × 40 cm Layered linear patterns gather into translucent, interconnected forms. Recognition continually surfaces and recedes, suggesting branches, scaffolding, connective tissue or

Particle Recognition 2026 Digital print from a 2020 digital image 40 × 40 cm Layered linear patterns gather into translucent, interconnected forms. Recognition continually surfaces and recedes, suggesting branches, scaffolding, connective tissue or mapped networks—allowing the act of perception itself to become the subject.

Signal Drift 2026 Digital print from a 2021 digital image 40 × 40 cm Vertical bands of colour descend through and fragment a partially recognisable image. Digital distortion turns visual information into a field between transmission and breakdown, w

Signal Drift 2026 Digital print from a 2021 digital image 40 × 40 cm Vertical bands of colour descend through and fragment a partially recognisable image. Digital distortion turns visual information into a field between transmission and breakdown, where the original subject persists only as an unstable trace.

Understory 2026 Digital print from a 2020 acrylic painting 40 × 40 cm Fluorescent colour glows beneath descending veils of compressed paint. Forms suggest roots, organisms or a submerged interior, but no interpretation holds: the surface offers a gl

Understory 2026 Digital print from a 2020 acrylic painting 40 × 40 cm Fluorescent colour glows beneath descending veils of compressed paint. Forms suggest roots, organisms or a submerged interior, but no interpretation holds: the surface offers a glimpse into a space that remains materially and visually obscured.

After Use 2026 Used paint tray with residual paint 28 × 30 cm After its practical function has ended, a used paint tray retains an intricate residue of pooled and separated paint The overlooked tool becomes both object and image, a record of labour,

After Use 2026 Used paint tray with residual paint 28 × 30 cm After its practical function has ended, a used paint tray retains an intricate residue of pooled and separated paint The overlooked tool becomes both object and image, a record of labour, contact and material left behind.

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