Threshold explores spaces between states: land and sea, interior and exterior, organism and environment, natural and manufactured. These boundaries are not fixed. They are places of exchange, where one condition encounters, alters or becomes another.
Access Denied 2026 Digital print 42 × 56 cm - The entrance to the Houses of Parliament is viewed across a construction zone. Temporary hoardings, fencing and translucent sheeting interrupt the building’s Gothic threshold, leaving its dark opening visible but inaccessible. The image holds a moment in which passage becomes boundary: public movement is redirected, and architecture associated with civic access is placed behind a provisional barrier. Access is not erased but suspended, exposing the unstable relationship between invitation, authority and exclusion.
Traced Passage 2026 Digital print from acrylic painting on wooden board 42 × 56 cm - A found plastic fragment is traced over layers of acrylic paint and wash, translating a temporary manufactured object into a recurring form. The final image forms a veil sitting between aperture and obstruction to form a surface that never fully opens.
The Boundary Repeats 2026 40 × 30 cm - Repetition and layering unsettle the boundary between landscape and human intervention. Fragments gather and dissolve, holding the image at a threshold between recognition and uncertainty.
Interior Horizon 2026 Digital painting 40 × 40 cm - Dense, dark surfaces open onto a pale and broken horizon. Scraped and repeated marks make the space difficult to locate, shifting between enclosure, coastline and an interior landscape emerging from the surface itself.
Disappearing Access 2026 Digital print 40 × 30 cm - Beach steps are gradually engulfed by migrating shingle as sea and sky disappear into mist. Constructed access gives way to a moving coastal system, turning a familiar route towards the water into an uncertain and temporary threshold.
Taking Hold 2026 3D printed form and found bark Dimensions and configuration variable - A smooth, manufactured form grips the edge of weathered bark. The small intervention occupies a threshold between attachment and intrusion, as though one material were testing how it might inhabit another.